![]() Good production is suffering because of poor mixing in my opinion. Listen to the production that done well in the US. And to be honest there is nothing wrong with switching it up to fit in to the market because the US can't handle the hard core stuff anyway. You are from Trinidad Night Shift you know how it is. You are right about having that vibe when creating the beat, blasting speakers in a smokey room, but the seasoned producers do the same thing, blasting speakers in a smokey room heh.Īnd don't mistake the very little that you hear out of jamaica as what really happening, you have to actually be there to know the real deal. Anyone that is even slightly interested in making beats in Jamaica can get his hands on the tools if he really searches hard. You would be surprised how much gear is in Jamaica. ![]() and the caribbean is watering down their stuff.busy trying to break in to the US market. It's not about clean, it's about bustin a speaker! Yes the seasoned producers layer the sh#$ up with MPCs and planet phats and so on, but the really funny thing is. But the main thing is the attack and how you hit it - the attitude. You think some kid in kingston is sitting down right now wondering how to make a dancehall kick? or a hip hop kick? the reality of the caribbean and living there is that there ain't all that high priced gear running around, but I can guarantee that whatever that kid uses he can make it sound Phat! just a cheap drum machine tone with some heavy eq and compression would work.
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